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     "DESIGNER BRAIN DAMAGE" 
    PUMF RECORDS (PUMF 182, July 1992 - UK) 
    8 
 
      
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        Side A; 
        1 "State Of The Art" 
        2 "Womble Pudding" 
        3 "Pletwo Sam" 
        4 "Trois" 
        5 "Time Of The Terminator" 
        6 "Shades Of Purple" 
        7 "Marriage Of The Potato Masher" 
        8 "Cardiac Attack" (edited) | 
        Side B; 
        1 "Psychojolting" 
        2 "Kannerbonz" 
        3 "Teamushysomepour" 
        4 "Pandora" 
        5 "The Wedding" 
        6 "White Cathay" 
        7 "Freak" (edited) |  
    *Tracks A1, A4, B4 and B6 are from "The Magic 
    Moments Album" (C-4013, 1987); A2, A7 and B3 from "The Time Machine" 
    (C-4017, 1988); A3, B2, B5 and B7 from "The At Twilight Time Album" (C-4014, 
    1987); A5 was a stage tape, only previously released on "At Transformation 
    Time" (MMATT 26, 1988); A6 is from "Zoen Nostalgia" (MMATT 30, 1989); A8 
    from "Zoen Nostalgia II: Earthbound" (MMATT 33, 1991) and B1 is from 
    "Psychotron 0" (MMATT 20, 1988) 
 
    At the time of this release, the Flashbax 
    series was in its infancy, only three editions having been released. Plenty 
    more available, weren't there? So how come the legendary Stan Batcow, the 
    man who wouldn't let M&E release his music because we refused to charge 
    precisely £1.37 for it like all his tapes cost, ended up with a completely 
    unique compilation, world exclusive to Pumf Records? I'd suggest you read 
    the original inlay notes below...  
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    A MESSAGE FROM MMATT TO THE 
    WORLD!  We 
    already do a nice series of compilations especially for release by other 
    labels. They are called Flashbax. Stan could have had a volume of that, 
    exclusive in the UK. But oh no, not Stan, he wanted to compile a tape 
    himself. Awkward bastard. So he picked the most obscure tracks of ours that 
    he could find, intent on destroying our good name. Nasty man. Now he'll copy 
    the master onto real el cheapo shit tapes and sell them at pathetic prices. 
    There goes our street cred. He'll probably do some really naff inlay with a 
    picture of Kylie Minogue on too. Sadist. Then he'll leave magnets on top of 
    the tapes and spill beer on them. It's a conspiracy, I tell you. Sad really. 
    Still, if his wicked plan doesn't work and you still like us, try sending an 
    SAE (about 9x6) to us and we'll tell you the truth about how good we really 
    are, no thanks to those gits at Pumf. Fuck 'em, huh?  
    Mick Magic 
 
    A MESSAGE FROM STAN / PUMF 
    TO MMATT 1) 
    "Awkward Bastard" is my middle name - thought you'd have discovered that by 
    now. 2) 
    Is it my fault that the tracks you class as your "most obscure" are my 
    favourites? 3) 
    The tapes I copy onto aren't real "el cheapo shit tapes", they only used to 
    be. These days it's all high quality stuff. 4) 
    Pathetic prices? No, just excellent value for money (try looking up 
    "integrity" in the dictionary. 5) 
    There is no picture of Kylie Minogue on this inlay - unless she's behind one 
    of the trees in your photograph. 6) 
    Magnets I can't guarantee against, but as for beer - I'm teetotal. 7) 
    With all due respect: Fuck you! I 
    don't know, I offer to bust my ass putting out a release for the bloke, and 
    all the moaning sod can do is quibble about loads of stupid irrelevancies 
    and has the audacity to publicly libel me on the sleeve of one of my own 
    releases. Well, stuff him. I won't print it. 
    Stan / Pumf Records | The Mmattrix copyright thing 
    goes like this:  If you duplicate this for your 
    pals as an act of kindness, then fine and wonderful things will befall you. 
    BUT... if you copy this with profit in mind (and no permission), then all 
    kinds of shit will land on you from a great height. So be cool! Mick Magic However, the Pumf copyright 
    thing goes like this:  The tapes are so inexpensive, 
    you've no justifiable reason to copy them. So don't! Send the cash and buy 
    your own. Stan / Pumf 
    Records 
 
     The 
    Wayne Smith photo that appeared on the inlay of "Designer Brain Damage". It 
    was the same photo that was used on the generic cover we supplied for 
    "Flashbax Vol. 2", the series that Stan thought simply wasn't good enough 
    for his label. Used the photo though, eh? We had the last laugh mind, Kylie 
    Minogue actually IS behind one of the trees. |  | 
  
    |  | I had a look on the Pumf 
    Records website to see what had become of this globally exclusive release we 
    had bent over backwards to provide Mr. Batcow with; "PUMF 182 was a 1992 
    cassette titled 'Designer Brain Damage' by Magic Moments At Twilight Time. 
    Interest had fully waned by 2011." Hey, don't spare my feelings, we're old 
    friends, give it to me straight. Well, at least he had the courtesy to burn 
    a copy on a CDR for us. And he did buy our Twizzle a lovely psychedelic 
    giant cuddly caterpillar. Courtesy of Stan Batcow, with 
    all due respect...    |  |